I always have mixed feeling about the Junior Olympics. Neither daughter ever particularly enjoyed fencing at JOs when they were competing—somehow JOs was always more stressful and less fun than any other national tournament.
On the other hand, it’s an easy tournament to work—the events are large, but there aren’t that many each day. On the other other hand, there’s always the board meeting at JOs, which this year met both Saturday and Sunday evenings. By the time the board finished its last agenda item at 11:35 Sunday night, I was the only spectator left. (I’m told that the executive session that followed lasted another hour or so after that.)
• Fencing Time is coming along, and we’re getting used to it. I’ve become accustomed enough to using the Bout ID to find bouts in the tables now that I don’t need the bracket/bout number combination I used to rely on in XSeed. (But it’s still nice having lots of options for finding things.
• We discovered that the framing of the ad section on the fencing results website took over the entire screen on iOS and some other mobile devices when zoomed. (That’s now been fixed.)
• I was disappointed I wasn’t able to get to Squatters or one of the other brewpubs in Salt Lake. In the pre-Winter Olympics days decades ago when I lived in Utah, one could not buy alcohol easily in restaurants and I was looking forward to seeing more cosmopolitan dining. But between attending the board meeting sessions and working my events, I wasn’t able to get out much for evening meals. Oh, well–maybe next time.
• The Salt Palace turned out to be a smaller variation on the Georgia World Congress Center–a short walk from the hotel, followed by a long, long walk inside to get to the farthest possible hall at the other end of the building. But the walk back and forth inspired me to begin a collection I’ve considered starting for years—Convention Center Carpet Patterns:
For years I’ve marveled at the complicated multicolored carpet patterns to be found in public spaces. I assume the garish mix of colors and abstract designs are meant to minimize the visibility of debris and deterioration, and I’m always curious how such patterns would look in smaller spaces. None are anything I’d like to see in a residential eating space, that’s for sure.
Can’t wait to see what new visions in carpet await in Cincinnati.
Mary Griffith 